{"id":152,"date":"2017-02-26T18:34:28","date_gmt":"2017-02-26T17:34:28","guid":{"rendered":"http:\/\/revue-phaeton.fr\/?p=152"},"modified":"2019-10-08T17:01:06","modified_gmt":"2019-10-08T15:01:06","slug":"paralleles","status":"publish","type":"post","link":"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/","title":{"rendered":"Parall\u00e8les"},"content":{"rendered":"<p><strong>Parall\u00e8les<\/strong><br \/>\n<strong>Carles Diaz (Charles Dujour Bosquet)<\/strong><\/p>\n<p>Po\u00e8te franco-chilien, docteur et ma\u00eetre de conf\u00e9rences en histoire de l\u2019art. Il vit en France depuis 2003. Sa po\u00e9sie bouscule les mots du r\u00e9alisme au r\u00eave. Apr\u00e8s avoir publi\u00e9 \u00e0 Santiago Episodios electronicos (La garza morena, 2003) et La voluntad del fragmento (2004), il a sign\u00e9, en France, deux recueils de po\u00e9sie aux Editions Abordo: Le fleuve \u00e0 l\u2019envers (2013) et Les d\u00e9ferlantes nocturnes (2010), r\u00e9cit po\u00e9tique adapt\u00e9 et mis en sc\u00e8ne en mars 2015 par Fr\u00e9d\u00e9ric Paquet au th\u00e9\u00e2tre Marguerite Duras TMD \u00e0 Bordeaux.<\/p>\n<p>La mouette au-dessus de l\u2019eau<br \/>\nque cherche-t-elle<br \/>\nen effeuillant l\u2019air ?<\/p>\n<p>Fouille la rumeur des oyats<br \/>\nles chiens rognent le mur des dunes<br \/>\nreprennent une fissure<br \/>\ninjuste.<\/p>\n<p>Il ne reste rien.<\/p>\n<p>Pense \u00e0 la lumi\u00e8re insolente<br \/>\n\u00e0 l\u2019oratoire du jour<br \/>\ntant de rocaille<br \/>\ndans la bouche de la mer.<\/p>\n<p>Je me repeins en porte<br \/>\npour les larmes de nos anc\u00eatres<br \/>\nune grande bouff\u00e9e de nuage<br \/>\nrampant sur le regard de l\u2019errance<br \/>\nassum\u00e9e.<\/p>\n<p>Quand je parle \u00e0 l\u2019eau<br \/>\nles tr\u00e9sors que j\u2019ai<br \/>\nsont des tr\u00e9sors perdus.<\/p>\n<p>Sur les quais la foule<br \/>\nse trouve effac\u00e9e<br \/>\nil m\u2019appartient encore, jusqu\u2019\u00e0 ma r\u00e9miniscence<br \/>\nde remuer la poussi\u00e8re, oscillante, blind\u00e9e<br \/>\nde piocher le mutisme des bagages<br \/>\n\u00e9craser les grains de la grappe.<\/p>\n<p>Que je sois chair de votre chair<br \/>\ntrompette d\u00e9voreuse<br \/>\npuis reculer<br \/>\nvers d\u2019autres rochers jusqu\u2019au<br \/>\ntapis de sable.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Parall\u00e8les Carles Diaz (Charles Dujour Bosquet) Po\u00e8te franco-chilien, docteur et ma\u00eetre de conf\u00e9rences en histoire de l\u2019art. Il vit en France depuis 2003. Sa po\u00e9sie bouscule les mots du r\u00e9alisme au r\u00eave. Apr\u00e8s avoir publi\u00e9 \u00e0 Santiago Episodios electronicos (La garza morena, 2003) et La voluntad del fragmento (2004), il a sign\u00e9, en France, deux &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;Parall\u00e8les&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-152","post","type-post","status-publish","format-standard","hentry","category-poesie-merles-blanc"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Parall\u00e8les - Editions Pha\u00e9ton<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Parall\u00e8les - Editions Pha\u00e9ton\" \/>\n<meta property=\"og:description\" content=\"Parall\u00e8les Carles Diaz (Charles Dujour Bosquet) Po\u00e8te franco-chilien, docteur et ma\u00eetre de conf\u00e9rences en histoire de l\u2019art. Il vit en France depuis 2003. Sa po\u00e9sie bouscule les mots du r\u00e9alisme au r\u00eave. Apr\u00e8s avoir publi\u00e9 \u00e0 Santiago Episodios electronicos (La garza morena, 2003) et La voluntad del fragmento (2004), il a sign\u00e9, en France, deux &hellip; Continuer la lecture de &laquo;&nbsp;Parall\u00e8les&nbsp;&raquo;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/\" \/>\n<meta property=\"og:site_name\" content=\"Editions Pha\u00e9ton\" \/>\n<meta property=\"article:published_time\" content=\"2017-02-26T17:34:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-10-08T15:01:06+00:00\" \/>\n<meta name=\"author\" content=\"Phaeton\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Phaeton\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/\",\"url\":\"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/\",\"name\":\"Parall\u00e8les - Editions Pha\u00e9ton\",\"isPartOf\":{\"@id\":\"https:\/\/revue-phaeton.fr\/#website\"},\"datePublished\":\"2017-02-26T17:34:28+00:00\",\"dateModified\":\"2019-10-08T15:01:06+00:00\",\"author\":{\"@id\":\"https:\/\/revue-phaeton.fr\/#\/schema\/person\/59bdbf6a5c6012c3b35a5e6ea429f667\"},\"breadcrumb\":{\"@id\":\"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/revue-phaeton.fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Parall\u00e8les\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/revue-phaeton.fr\/#website\",\"url\":\"https:\/\/revue-phaeton.fr\/\",\"name\":\"Editions Pha\u00e9ton\",\"description\":\"Maison d&#039;\u00e9ditions \",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/revue-phaeton.fr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/revue-phaeton.fr\/#\/schema\/person\/59bdbf6a5c6012c3b35a5e6ea429f667\",\"name\":\"Phaeton\",\"url\":\"https:\/\/revue-phaeton.fr\/index.php\/author\/admin4496\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Parall\u00e8les - Editions Pha\u00e9ton","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/","og_locale":"fr_FR","og_type":"article","og_title":"Parall\u00e8les - Editions Pha\u00e9ton","og_description":"Parall\u00e8les Carles Diaz (Charles Dujour Bosquet) Po\u00e8te franco-chilien, docteur et ma\u00eetre de conf\u00e9rences en histoire de l\u2019art. Il vit en France depuis 2003. Sa po\u00e9sie bouscule les mots du r\u00e9alisme au r\u00eave. Apr\u00e8s avoir publi\u00e9 \u00e0 Santiago Episodios electronicos (La garza morena, 2003) et La voluntad del fragmento (2004), il a sign\u00e9, en France, deux &hellip; Continuer la lecture de &laquo;&nbsp;Parall\u00e8les&nbsp;&raquo;","og_url":"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/","og_site_name":"Editions Pha\u00e9ton","article_published_time":"2017-02-26T17:34:28+00:00","article_modified_time":"2019-10-08T15:01:06+00:00","author":"Phaeton","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"Phaeton","Dur\u00e9e de lecture estim\u00e9e":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/","url":"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/","name":"Parall\u00e8les - Editions Pha\u00e9ton","isPartOf":{"@id":"https:\/\/revue-phaeton.fr\/#website"},"datePublished":"2017-02-26T17:34:28+00:00","dateModified":"2019-10-08T15:01:06+00:00","author":{"@id":"https:\/\/revue-phaeton.fr\/#\/schema\/person\/59bdbf6a5c6012c3b35a5e6ea429f667"},"breadcrumb":{"@id":"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/paralleles\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/revue-phaeton.fr\/"},{"@type":"ListItem","position":2,"name":"Parall\u00e8les"}]},{"@type":"WebSite","@id":"https:\/\/revue-phaeton.fr\/#website","url":"https:\/\/revue-phaeton.fr\/","name":"Editions Pha\u00e9ton","description":"Maison d&#039;\u00e9ditions ","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/revue-phaeton.fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Person","@id":"https:\/\/revue-phaeton.fr\/#\/schema\/person\/59bdbf6a5c6012c3b35a5e6ea429f667","name":"Phaeton","url":"https:\/\/revue-phaeton.fr\/index.php\/author\/admin4496\/"}]}},"_links":{"self":[{"href":"https:\/\/revue-phaeton.fr\/index.php\/wp-json\/wp\/v2\/posts\/152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revue-phaeton.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revue-phaeton.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revue-phaeton.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revue-phaeton.fr\/index.php\/wp-json\/wp\/v2\/comments?post=152"}],"version-history":[{"count":1,"href":"https:\/\/revue-phaeton.fr\/index.php\/wp-json\/wp\/v2\/posts\/152\/revisions"}],"predecessor-version":[{"id":153,"href":"https:\/\/revue-phaeton.fr\/index.php\/wp-json\/wp\/v2\/posts\/152\/revisions\/153"}],"wp:attachment":[{"href":"https:\/\/revue-phaeton.fr\/index.php\/wp-json\/wp\/v2\/media?parent=152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revue-phaeton.fr\/index.php\/wp-json\/wp\/v2\/categories?post=152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revue-phaeton.fr\/index.php\/wp-json\/wp\/v2\/tags?post=152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}