{"id":154,"date":"2017-02-26T18:36:03","date_gmt":"2017-02-26T17:36:03","guid":{"rendered":"http:\/\/revue-phaeton.fr\/?p=154"},"modified":"2019-10-08T17:01:02","modified_gmt":"2019-10-08T15:01:02","slug":"lile","status":"publish","type":"post","link":"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/lile\/","title":{"rendered":"L\u2019\u00eele"},"content":{"rendered":"

L\u2019\u00eele\u2026<\/strong>
\nLisa Geppert<\/strong>
\nLisa Geppert consacre ses travaux universitaires en litt\u00e9rature compar\u00e9e \u00e0 Thomas Stearns Eliot, Pierre Reverdy et Paul Celan. Sa po\u00e9sie utilise, avec une singuli\u00e8re esth\u00e9tique de la concentration, la th\u00e9matique du fragment et de la ruine\u2026<\/p>\n

L\u2019\u00eele s\u2019efface au loin
\net retourne
\n\u00e0 son myst\u00e8re
\nJe ne vois plus
\nque
\nles sillons<\/em>
\ndu bateau<\/p>\n

L\u2019horizon est blanc
\ncomme ces oiseaux
\nqui n\u2019en finissent plus de crier –
\nPartir \u00e0 la d\u00e9rive<\/em>
\n\u2026
\nQuelque chose de moi
\nest rest\u00e9
\nde l\u2019autre c\u00f4t\u00e9 du seuil
\n(Insaisissable)<\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019\u00eele\u2026 Lisa Geppert Lisa Geppert consacre ses travaux universitaires en litt\u00e9rature compar\u00e9e \u00e0 Thomas Stearns Eliot, Pierre Reverdy et Paul Celan. Sa po\u00e9sie utilise, avec une singuli\u00e8re esth\u00e9tique de la concentration, la th\u00e9matique du fragment et de la ruine\u2026 L\u2019\u00eele s\u2019efface au loin et retourne \u00e0 son myst\u00e8re Je ne vois plus que les sillons … <\/p>\n

Continuer la lecture de « L\u2019\u00eele »<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-154","post","type-post","status-publish","format-standard","hentry","category-poesie-merles-blanc"],"yoast_head":"\nL\u2019\u00eele - Editions Pha\u00e9ton<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/lile\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019\u00eele - Editions Pha\u00e9ton\" \/>\n<meta property=\"og:description\" content=\"L\u2019\u00eele\u2026 Lisa Geppert Lisa Geppert consacre ses travaux universitaires en litt\u00e9rature compar\u00e9e \u00e0 Thomas Stearns Eliot, Pierre Reverdy et Paul Celan. Sa po\u00e9sie utilise, avec une singuli\u00e8re esth\u00e9tique de la concentration, la th\u00e9matique du fragment et de la ruine\u2026 L\u2019\u00eele s\u2019efface au loin et retourne \u00e0 son myst\u00e8re Je ne vois plus que les sillons … Continuer la lecture de « L\u2019\u00eele »\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/lile\/\" \/>\n<meta property=\"og:site_name\" content=\"Editions Pha\u00e9ton\" \/>\n<meta property=\"article:published_time\" content=\"2017-02-26T17:36:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-10-08T15:01:02+00:00\" \/>\n<meta name=\"author\" content=\"Phaeton\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Phaeton\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/lile\/\",\"url\":\"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/lile\/\",\"name\":\"L\u2019\u00eele - Editions Pha\u00e9ton\",\"isPartOf\":{\"@id\":\"https:\/\/revue-phaeton.fr\/#website\"},\"datePublished\":\"2017-02-26T17:36:03+00:00\",\"dateModified\":\"2019-10-08T15:01:02+00:00\",\"author\":{\"@id\":\"https:\/\/revue-phaeton.fr\/#\/schema\/person\/59bdbf6a5c6012c3b35a5e6ea429f667\"},\"breadcrumb\":{\"@id\":\"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/lile\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/lile\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/lile\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/revue-phaeton.fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"L\u2019\u00eele\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/revue-phaeton.fr\/#website\",\"url\":\"https:\/\/revue-phaeton.fr\/\",\"name\":\"Editions Pha\u00e9ton\",\"description\":\"Maison d'\u00e9ditions \",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/revue-phaeton.fr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/revue-phaeton.fr\/#\/schema\/person\/59bdbf6a5c6012c3b35a5e6ea429f667\",\"name\":\"Phaeton\",\"url\":\"https:\/\/revue-phaeton.fr\/index.php\/author\/admin4496\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"L\u2019\u00eele - Editions Pha\u00e9ton","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/revue-phaeton.fr\/index.php\/2017\/02\/26\/lile\/","og_locale":"fr_FR","og_type":"article","og_title":"L\u2019\u00eele - Editions Pha\u00e9ton","og_description":"L\u2019\u00eele\u2026 Lisa Geppert Lisa Geppert consacre ses travaux universitaires en litt\u00e9rature compar\u00e9e \u00e0 Thomas Stearns Eliot, Pierre Reverdy et Paul Celan. 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