{"id":445,"date":"2016-02-03T17:23:01","date_gmt":"2016-02-03T16:23:01","guid":{"rendered":"http:\/\/revue-phaeton.fr\/?p=445"},"modified":"2020-10-20T15:27:10","modified_gmt":"2020-10-20T13:27:10","slug":"sommaire-revue-phaeton-2016","status":"publish","type":"post","link":"https:\/\/revue-phaeton.fr\/index.php\/2016\/02\/03\/sommaire-revue-phaeton-2016\/","title":{"rendered":"Sommaire Pha\u00e9ton 2016"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"640\" src=\"https:\/\/revue-phaeton.fr\/wp-content\/uploads\/2019\/10\/Phaeton-2016-1.png\" alt=\"Pha\u00e9ton 2016\" class=\"wp-image-720\" srcset=\"https:\/\/revue-phaeton.fr\/wp-content\/uploads\/2019\/10\/Phaeton-2016-1.png 640w, https:\/\/revue-phaeton.fr\/wp-content\/uploads\/2019\/10\/Phaeton-2016-1-150x150.png 150w, https:\/\/revue-phaeton.fr\/wp-content\/uploads\/2019\/10\/Phaeton-2016-1-300x300.png 300w, https:\/\/revue-phaeton.fr\/wp-content\/uploads\/2019\/10\/Phaeton-2016-1-100x100.png 100w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n\n\n\n<h1 class=\"wp-block-heading\">Le sommaire de la Revue Pha\u00e9ton 2016<\/h1>\n\n\n\n<p>D\u00e9finition de Pha\u00e9ton&nbsp; p.08<br>Pha\u00e9ton, fils d\u2019H\u00e9lios&nbsp; p.11<br>\u00c9ditorial de Pierre Landete&nbsp; p. 17<br>\u00ab Dal\u00ed et son jeune l\u00e9opard \u00bb, photographie de Libor Sir p.21<br>Un ma\u00eetre de la mystique : St. Jean de la Croix, Camille-Jean Izard&nbsp; p.23<br>L\u2019homme antagoniste, Jacques Demorgon&nbsp; p.33<br>Juana de Asbaje y Ramirez (1648-1695),<br>une \u00e6uvre entre deux mondes, Paule B\u00e9terous&nbsp;&nbsp; p.71<br>Comparer le \u00abniveau d\u2019\u00e9ducation\u00bb des populations,<br>comment et pour quoi faire ?, Christophe Bergouignan&nbsp; p.87<br>D\u00e9ploiement, d\u00e9voilement, d\u00e9voiement dans<br>\u00c0 la recherche du temps perdu : le cas Charlus, Olivier Giron p.103<br>Ellul pour les (pas si) nuls !, Patrick Chastenet&nbsp; p.133<\/p>\n\n\n\n<p><strong>Cahier de Po\u00e9sie<\/strong><br>\u00c9crits de femmes&nbsp; p.157<br>\u00ab Elles \u00bb, dessin d\u2019Evelyne Petiteau&nbsp; p.158<br>Merles blancs&nbsp;&nbsp; p.199<br>\u00ab Bird-tori \u00bb et \u00ab Dog-Inu \u00bb, photographies de Roberto Giosta&nbsp;&nbsp; p.232<br>La parole-fant\u00f4me : un \u00e9cho hant\u00e9, Sophie Jaussi&nbsp;&nbsp; p.235<br>Le tigre et le papillon, Claire Mestre, illustration de A. Theval&nbsp;&nbsp; p.253<br>Autoportrait entre Thalie et M\u00e9lpom\u00e8ne, photographie de Guillaume Romeguere&nbsp; p.258<br>Sur les pr\u00e9s et dans les temples : le rugby !<br>Mary Chestnut, Benoit Labeuchigue et Andr\u00e9 Tempon&nbsp; p.259<br>La \u00d9ltima flor, Ronald Vega (traduction en fran\u00e7ais de Pierre Landete) p.275<br>\u00ab Le Palais de la couronne \u00bb, photographie de Pierre Feytout&nbsp;&nbsp; p.282<br>La chute de Pierrot, Jean-Bernard Laclotte&nbsp;&nbsp; p.283<br>La fille au pull bleu (esquisse d\u2019une extase\u2026), Emmanuel Tignol&nbsp;&nbsp; p.289<br>L\u2019oc\u00e9an Papillon, Marie Laugery&nbsp;&nbsp; p.293<\/p>\n\n\n\n<p><strong>Marges<br><\/strong>Gendarme, vous \u00eates une moule !, Georges Courteline&nbsp; p.297<br>Photographie de Concha Castillo, Christelle P\u00e9tard&nbsp;&nbsp; p.301<br>Questionnaire de Proust, Concha Castillo \u00ab La Golondrina \u00bb&nbsp; p.302<br>D\u00e9gustation, la Parcelle 45, photographie de Pierre Feytout, 2016&nbsp; p.304<br>Biographies des membres du Comit\u00e9 de parrainage&nbsp; p.305<br>Biographies des membres du Comit\u00e9 de lecture&nbsp; p.308<br>Biographies des correspondants&nbsp; p.311<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Parrainages Revue Pha\u00e9ton 2016<\/h2>\n\n\n\n<p><strong>&#8211; Marie-Claude B\u00e9lis-Bergouignan<\/strong>, professeur \u00e9m\u00e9rite d\u2019\u00e9conomie <br>&#8211; <strong>G\u00e9rard Boulanger<\/strong>, avocat et historien <br>&#8211; C<strong>oncha Castillo<\/strong>, chor\u00e9graphe <br>&#8211; <strong>Jacques Demorgon<\/strong>, sociologue <br>&#8211; <strong>Camille Izard<\/strong>, th\u00e9ologien <br>&#8211; <strong>Jo\u00ebl July,&nbsp;<\/strong>professeur de lettres modernes <br>&#8211; <strong>Pierre L\u00e9glise-Costa<\/strong>, linguiste <br>&#8211; <strong>Claire Mestre<\/strong>, anthropologue <br>&#8211; <strong>Philippe M\u00e9ziat<\/strong>, critique musical <br>&#8211; <strong>Emmanuel Mouret,<\/strong> cin\u00e9aste <br>&#8211; <strong>Patrick R\u00f6del<\/strong>, philosophe <br>&#8211; <strong>Libor Sir,<\/strong> photographe <br>&#8211; <strong>Jean-Rodolphe Vignes<\/strong>, professeur de m\u00e9decine, neurochirurgien.<br> IN MEMORIAM<br> &#8211; <strong>Jean Tignol,<\/strong> professeur de m\u00e9decine (Universit\u00e9 de Bordeaux), psychiatre.<br> <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Correspondants revue Pha\u00e9ton 2016<\/h2>\n\n\n\n<p>Chili : <strong>Carles Diaz<\/strong><br>Espagne : <strong>Carlos Loureda<\/strong><br>Ile Maurice : <strong>Gillian Genevi\u00e8ve<\/strong><br>Liban : <strong>Mich\u00e8le M. Ghiaros<\/strong><br>P\u00e9rou : <strong>Ronald Vega<\/strong><br>Portugal : <strong>Pierre L\u00e9glise-Costa<\/strong><br>Russie : <strong>Sofya Brand<\/strong><br>Su\u00e8de : <strong>Kerstin Munck<\/strong><br>Suisse : <strong>Sophie Jaussi<\/strong><br>Tunisie : <strong>Salma Ben-Sedrine<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Comit\u00e9 de lecture Revue Pha\u00e9ton 2016<\/h2>\n\n\n\n<p>&#8211; <strong>Marie-Claude B\u00e9lis-Bergouignan<\/strong>, professeur \u00e9m\u00e9rite en sciences \u00e9conomiques \u00e0 l&rsquo;Universit\u00e9 de Bordeaux <br>&#8211;<strong> Marie-Jos\u00e9 Cameleyre<\/strong>, ing\u00e9nieur en sciences humaines <br>&#8211; <strong>Pierre Landete<\/strong>, avocat <br>&#8211; <strong>Jean-Michel Dev\u00e9sa<\/strong>, \u00e9crivain et professeur de lettres \u00e0 l&rsquo;Universit\u00e9 de Limoges <br>&#8211; <strong>Sophie Jaussi<\/strong>, enseignante et doctorante \u00e0 l&rsquo;Universit\u00e9 de Fribourg, Suisse &#8211; <strong>Suzanne Robert<\/strong>, animatrice radio et com\u00e9dienne.<br> IN MEMORIAM<br><strong>Henri Martin,<\/strong> Libraire et \u00e9diteur.<\/p>\n\n\n\n<p><strong>Responsable du site internet <\/strong><br><strong>H\u00e9l\u00e8ne Regnaud<\/strong><br><br><strong>Directeur de publication<\/strong> <br><strong>Pierre Landete,<\/strong> fondateur de <em>Pha\u00e9ton<\/em>.<br> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le sommaire de la Revue Pha\u00e9ton 2016 D\u00e9finition de Pha\u00e9ton&nbsp; p.08Pha\u00e9ton, fils d\u2019H\u00e9lios&nbsp; p.11\u00c9ditorial de Pierre Landete&nbsp; p. 17\u00ab Dal\u00ed et son jeune l\u00e9opard \u00bb, photographie de Libor Sir p.21Un ma\u00eetre de la mystique : St. Jean de la Croix, Camille-Jean Izard&nbsp; p.23L\u2019homme antagoniste, Jacques Demorgon&nbsp; p.33Juana de Asbaje y Ramirez (1648-1695),une \u00e6uvre entre deux &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/revue-phaeton.fr\/index.php\/2016\/02\/03\/sommaire-revue-phaeton-2016\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;Sommaire Pha\u00e9ton 2016&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-445","post","type-post","status-publish","format-standard","hentry","category-introduction"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - 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